I am curator and writer of Nigerian heritage. My research and creation practice is grounded by postcolonial and feminist methods; My recent exhibitions and essays contemplate body politics, human geography, and Black and African visual culture. My writing on contemporary art exhibitions has been published by Public Journal (Toronto), Dancemakers Centre for Creation (Toronto), and the Canadian Clay & Glass Gallery (Kitchener). I hold a Bachelor of Arts in Visual Culture and Studio Art from the University of Waterloo and a Master of Visual Studies in Curatorial Studies from the University of Toronto. I currently serve as Chair of the Board of Directors and Programming Committee at Pleasure Dome (Tkaronto), an artist-run organization dedicated to experimental media, and I was part of the inaugural cohort of Dancemakers’ Dance Curation Working Group.
Curatorial Work
Curatorial Assistant, Répondez s’il vous plaît curated by Gia Liapi, Campbell House Museum, Toronto, ON. June 6-28, 2025.
Careful Crossings, Art Museum at the University of Toronto, Art Centre, May 1–July 26, 2025. Works by: Annabelle Aventurin, Collectif Faire-Part, Kapwani Kiwanga, Isabel Okoro, Oluseye, Chetna Vora, and Emma Wolukau-Wanambwa.
Disembody, co-curated with Sarah Martin, Homer Watson Gallery, February 3 – 26, 2023. Works by Students and Alumni from the University of Waterloo Department of Fine Arts.
BEING+, Toronto Outdoor Art Fair and Propeller Art Gallery, January 12 – 23, 2022. Works by: Biba Esaad, Noah Lima, Miles Ingrassia, Roxana Parsa, and Michelle Rodrigues.
Published Writing
Catalogue Essay, “I rebuild my home everywhere I go,” Beyond the Threshold, Canadian Clay & Glass Gallery, September 2025–January 2026.
Brochure Text, "Careful Crossings," Art Museum at the University of Toronto, May 1-July 26, 2025.
Exhibition Review, “Labour,” Labour curated by Ingrid Jones, Justina M. Barnicke Gallery, September 4, 2024–March 22, 2025. Public (Toronto), no.71 (2025): 172–174.
Exhibition Essay, “I hold the future…,”Future Dances, Dancemakers & FADO Performance Art Centre, March 2025.
Conference Paper, “Miss Olympia Blak’s Pharmacoliberation,” presented on the panel: Death drop: Trans/queer resistance and the underworld, Universities Art Association of Canada Conference, London, ON, 2024.
Artist Text, “MOUTH,” Silverfish (Toronto), no.003 (2023).
Catalogue Essay, “Visions of Black Identity,” Voices, Canadian Clay & Glass Gallery, September 2022–January 2023.